2017

  • November 17 to January 7

    Members’ Small Works

    Provincetown Art Association and Museum, PAAM

    Opening Reception, November 17, 2017

    Immature Mockingbird

    Photo transfer on mulberry paper, encaustic, 6x6 birch panel




  • September 10 to October 31

    Beaury: Art in Dialogue with Nature

    Printmakers of Cape Cod at Highfield Hall & Gardens, Falmouth, MA

    An invitation from Annie Dean, Director of Programs and Exhibitions: For this exhibition, the jury is seeking works that highlight the artists' interpretation of the natural beauty of Cape Cod—the land, sea and skyscapes, as well as the world beneath the sea. Selection of work is based on how prints "speak" to one another visually and thematically to create a viewer experience that encapsulates a sense of beauty. 


    Red, Right, Returning
    Photo transfers, collage, resin

    Artist's statement: Chatham’s barrier beaches and inner shorelines constantly change—a dynamic ebb and flow of waves, currents, winds and tide. On April 1, 2017 ocean water surged through a “break” in South Beach creating a navigation channel to Nantucket Sound. Mariners returning from sea, position the red buoy to their right.


  • August 2 to August 20

    Body Politic

    Juried show at Bromfield Gallery, 450 Harrison Ave. Boston, MA 02118

    This juried exhibition of New England artists features artwork across diverse media that's open to different interpretations.

    Although the definition of "body politic" is an organized group of citizens, artists in the show have used this term as inspiration: work that addresses the body, politics or the intersection of the two. In these tumultuous times, many artists address contemporary culture and controversial issues regarding private space and the control of one's body.

    The gallery hopes the exhibition will provoke, illuminate and challenge!

    Opening Reception: August 4, 6-8:30PM



  • August 2 to August 20

    Body Politic

    Juried show at Bromfield Gallery, 450 Harrison Ave., Boston, MA 02118

    Artist's statement: Cast from life or not, a mannequin is an idealized human figure. To reflect my sensibilities and understanding of the history of photography, I reprocess film camera and analogue darkroom techniques with an iPhone camera multiple exposure app. Although exposures are random, I can predict specific overlapping results and make only small alterations in the computer darkroom. From different points of view, layers of information superimpose in one print.

    Triptych: Wonderland

    Pigment prints on birch panels, resin-coated. Each panel 16x16




  • July 21 to September 10

    Provincetown Art Association and Museum

    Members’ 12x12 Exhibition and Silent Auction

    PAAM is proud to hang works by emerging and established artists side-by-side in this annual exhibition, a celebration of the high level of creativity and achievement of PAAM members. Bidding starts at $125 and climbs by demand throughout the exhibition.

    Rigging of the Kalmar Nyckel



  • June 24 to July 31

    Piece by Piece III

    Cotuit Center for the Arts

    One hundred and fifty artists replicated a 15-inch square of George Seurat's "Sunday Afternoon on the Island of Grande Jatte."  Each panel is for sale at $100.  My square #106 is on the lower left—95% grass, 5% kneecap! Participating artists have additional work on display in the upper gallery.

    *Stephen Sondheim's" Sunday in the Park with George"...opening July 6th thru 30th.

    Sunday...
    By the blue
    Purple yellow red water
    On the green
    Purple yellow red grass
    As we pass
    Through arrangements of shadows
    Toward the verticals of trees...
    * by Stephen Sondheim

    See More


  • June 7 to July 8

    Honoring Trees, PhotoPlace Online Gallery

    PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753

    Barrier Beach Erosion #1

    Online Exhbition: http://photoplacegallery.com/in-honor-of-trees/

    Juror’s Statement

    In his book The Practice of the Wild, poet and essayist Gary Snyder points out that “wild” is most often defined by what it is not. So, it is undomesticated, untamed, uninhabited, uncultivated, uncivilized. What if, he writes, we instead define it by what it is? Through this lens, “wild” becomes: self-propagating, flourishing, pristine, exuberant, original, self-reliant, ecstatic, free. Seen in this more positive light, nature has agency and power – a sense of dynamism that reminds us to take note, to honor the wild places we’re still lucky enough to have.

    The images selected for this exhibition are poetic, evocative, and deeply interpretive. They masterfully capture some of the spirit of their subjects, rather than simply telling us what things look like. This attention to mood and emotion brings the scenes alive and inspires us to care. I hope the exhibit serves as an invitation to celebrate the wild beauty of trees and to contemplate what we stand to lose in the relentless drive for environmental dominion. As Edward Abbey so poignantly reminds us, “Love of wilderness is…an expression of loyalty to the earth, the earth which bore us and sustains us, the only paradise we shall ever know, the only paradise we ever need, if only we had the eyes to see.” 

    Laura Valenti



  • June 1

    Black and White Magazine

    Portfolio Contest 2017, Merit Award

    Congratulations! Your entry in the Black & White Portfolio Contest 2017 has been selected for a Merit Award.  Several of your images will be published as a 2-page spread in the Special Issue #122 of Black &White magazine, scheduled to arrive on newsstands early June.


    Sandscape #6


  • February 17 to April 2

    MEMBERS’ JURIED, Provincetown Art Association and Museum

    PAAM

    Juror: Sarah Johnson, Director and Curator of the Cahoon Museum of American Art.


  • February 5 to February 24

    20th Annual Juried Photography Contest

    Creative Arts Center, Chatham, MA

    Co-sponsored with Cape Cod Viewfinders Camera Club


    Storm Surge

    Archival pigment print


  • January 9 to February 12

    Winter Art Exhibit: Personal Space

    46 Cape Cod Artists: Cotuit Center for the Arts

    Interpretation of the theme. 

    Manufacturers design camping trailers with many of the amenities of home—refrigerators, flushing toilets, TVs, air conditioning. Some even come equipped with solar panels.  The RV lifestyle is made up of outdoor enthusiasts and of those interested in traveling and camping rather than living in one location. Many retirees “snowbird” to Florida in the winter and return North in spring.

    The owners of this camper have established more permanent roots—Be it ever so humble, there's no place like home….

    "Home! Sweet Home!" (also known as "Home, Sweet Home") is a song adapted from American actor and dramatist John Howard Payne’s 1823 opera Clari, or the Maid of Milan; the song's melody was composed by Sir Henry Bishop with lyrics by Payne.

    Archival pigment print



  •     2016

  • November 26 to January 29

    LOOKING AHEAD:  First Annual Cape Cod Museum of Art, Members’ Exhibition

    Cape Cod Museum of Art

    Opening reception: Thursday, December 1, 5:30 - 7:00pm

    Artist’s statement: Hipstamatic is my favorite iPhone app because of its aesthetics to film photography. I shot a series of photographs from a taxi using multiple exposures to add subtle layers of space-related information. The giant sculpture of Atlas suggests the past as a point of reference to the human activity on the street.

    Every Which Way, NYC



  • November 11 to January 10

    Members’ Small Works

    Provincetown Art Association and Museum


    Taped strips of DASS®™film, transfer printed over gold acrylic monotype on Yupo paper

    Street Art NYC,  1/1 #7



  • November 9

    Alternative Photography and Digital Techniques

    Higgins Gallery, Cape Cod Community College

    Gallery demonstration: Gelli® plate monotypes, photo transfers. Wednesday, Nov 9, noon-1PM


  • September 3 to October 8

    Chairs, Doors and (or) Windows

    Cotuit Center for the Arts

    This juried exhibition is open to all 2D and 3D interpretations of the theme.

    Submissions will be chosen by residential designer Linda Scott.  Linda holds degrees from the University of Wisconsin Madison and California College of Arts and Crafts in graphic arts and environmental design. She was principal and lead designer for her San Francisco-based company Scott Design Associates from 1979 to 2014. The company specialized in new residential building design and renovations as well as interior design.  



  • September 7 to September 30

    A Sense of Place

    PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753

    Room 307

    Juror’s Statement:

    Photographs that convey a “sense of place” blend the physical characteristics of a scene, landscape or object with the mysterious essence that emerges from gradually and perhaps unconsciously inhabiting a place over time. The photograph ceases to become an objective document. Instead, it takes on a particular feeling that is invested with something that is often intangible, revealing a deeper understanding of what lies beneath the surface.

    How is this “sense of place” communicated in a photograph? Many components including light, content and composition are important, as are clarity and craftsmanship. A well made photograph, for me, is the visual equivalent of a poem, evoking feelings and emotions. A quote from an essay in The Atlantic by Mark Yakich, “What Is a Poem,” states… “A poem helps the mind play with its well-trod patterns of thought, and can even help reroute those patterns by making us see the familiar anew.”

    Subjectivity, of course, is inevitable. Selecting photographs is necessarily contingent of the particular jurors taste and aesthetic. That said, it was a privilege and honor to jury “A Sense of Place.”

    Jane Fulton Alt



  • August 10 to September 2

    Black and White 2016

    PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753

    I Siciliani: Roberto

    Juror Dean Brierly, editor of Black & White magazine, has selected 35 images for exhibition in the gallery and another 40 images for exhibition online.

    In my capacity as editor of Black & White magazine, I am constantly judging images, not only for publication in our regular issues, but also for our Portfolio and Single Image Contest issues. One thing I’ve noticed over time is the tendency (unconscious or not) on the part of many photographers to follow visual templates laid down by others. Happily, this was not the case when I sat down to consider the photographs submitted for this exhibition. I was, in fact, greatly impressed with the originality and quality on display.

    From the beginning of my involvement with photography, both as practitioner and editor, I have been drawn to the work of those who go against the status quo, who avidly experiment with the medium, who pioneer their own creative themes and visual parameters. People like Barbara Crane, Mario Giacomelli, James Fee, to name but three. When I look at a photograph in any context—as a judge or simply as a viewer in a gallery—what I look for above all is something that takes me by surprise, that puts me off balance, even upsets me. The cardinal sin in my book is to be boring. This holds true when I look at other types of artwork, listen to music or watch films. It’s always harder to do the unexpected, but invariably it’s more rewarding and meaningful.

    I was delighted at how often I found myself surprised while judging these images. It was obvious that a great deal of thought went into their creation, as well as originality, sensitivity and craftsmanship. It’s one thing for a photograph to attract attention, another thing entirely to hold it. The majority of these images, while striking on first glance, also resonated with emotional and thematic depth that revealed additional nuances with repeated views. All of which made it an honor and a pleasure to have been chosen to play a curatorial role with work of such quality. 





  • June 1

    Black & White Magazine

    Portfolio Contest 2016

    Barbara Ford Doyle
    I Siciliani: Carmen

    Congratulations! Your entry in our Black & White Portfolio Contest 2016 has been selected for an Excellence Award. Several of your images will be published as a 4-page spread in the Special Issue #116 of B&W magazine, scheduled to arrive on newsstands the first week of June. There are only 16 winners in this category (there were 385 portfolios submitted for judging) so you can be confident that we felt your work stood out from the rest in a way that deserved this special attention. Once again, congratulations!
     



  • April 29 to May 15

    Printmakers of Cape Cod: Current Impressions

    Juried Printmaking Exhibition, Cultural Center of Cape Cod

    Juried by Vicky Tomayko and Marion Roth

    Il Fumatore, gel transfer, polyester plate lithograph


  • April 16

    Black & White Magazine

    Spotlight Portfolio Contest Winner

    Issue 115, June 2016

    For Doyle, digital photography exists less in opposition to analogue than as a space to explore the new tools represented by the countless number of apps available to modern photographic artists. The chance to find apps that "reflect my particular artistic sensibilities and understanding of the history of photography" enables the journey from snapshot to highly expressive personal imagery. —George Slade

    In Campagna #1, Val d'Orcia, Italy 2014


  • April 28

    Special Event at Chatham Orpheum Theater

    Artist of the Month: Barbara Ford Doyle

    7pm Reception: Series of street photographs: I Siciliani 

    7:30pm Screening of the 1989 Academy Award  Best Foreign Language Film Cinema Paradiso

    Directed by Giuseppe Tornatore. Tornatore's best known film narrates the life of a successful film director who has returned to his native Sicily for the funeral of Alfredo, his mentor.






  • February 12 to April 3

    PAAM Members’ Juried

    Provincetown Art Association and Museum

    PAAM's Exhibition Committee has invited Arlette and Gus Kayafas, of Boston's Gallery Kayafas, to select the works to be included, with the guideline being to simply choose what they are drawn to.

    Diptych: La Donna and Paolo: Overexposed

    Photo transfer on tengucho paper, encaustic on birch box


  • April 1 to April 2

    Photo Inkjet Transfers with Barbara Ford Doyle

    Concord ART Association, 37 Lexington Road, Concord, MA 01742

    Using DASS ™ film and various transfer solutions, this two-day workshop will enable participants to see how photographic transfers can be applied to various substrates—perfect for beginners who are curious about alternative photographic processes and for returning participants who want more hands-on time making inkjet transfers to a variety of mediums including papers, limestone “paper”, oxidized aluminum and wood panels. Registrants will email digital photos prior to the workshop to be enhanced and printed on transfer film. Barbara also can work with students on special project requests. She will offer suggestions for finishing and presenting work and provide an updated list of resources.

    Contact: http://www.concordart.org/school/workshops

    Washing transfer to limestone paper


  • March 23 to April 22

    Animalia

    PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753

    Juror’s Statement: Traer Scott

    I often say that animals make me human. I am eternally captivated and inspired by the beauty, honesty and intelligence found in all corners of the animal kingdom. Unfortunately, as we humans become a bigger, louder and more pervasive animal, many other species are suffering in countless ways. However even as our planet and the animals that inhabit it are perhaps at the peak of crisis, I also believe that as a society, we are at an apex of collective consciousness and compassion.

    I was heartened to see so many submissions examining and exploring the relationships we have with animals, celebrating their amazing adaptations and abilities as well as in some cases, their pure and visceral “animal-ness”. My selections for Animalia are images that evoke curiosity, sadness, discomfort, wonder, humor and awe, all of which are emotions that I regularly feel when contemplating the beauty and fragility of the animals that we share our planet with.

    Online Gallery: Garrett (a Leonberger puppy)




  • January 9 to February 14

    AFCC Exhibit: Balancing Act

    Cotuit Center for the Arts

    The Arts Foundation of Cape Cod will host its 9th Annual Member Winter Art Exhibit January/February 2016 at the Cotuit Center for the Arts. The 2016 exhibit is titled Balancing Act, and will feature 54 artists’ interpretations of that theme – literally and figuratively. All Cape Cod established and emerging artists submit art for consideration and are selected by jury. The exhibit will open with an invitation-only reception on January 9, 2016 at 7 p.m.

    Balancing Act: Interpretation of the theme.

    Chesterwood is the former Stockbridge, MA summer home, studio, and gardens of sculptor Daniel Chester French (1850-1931). It is also the venue for large-scale abstract, conceptual and figurative sculpture in an outdoor setting. Last summer twenty-four artists from The Boston Sculptors Group exhibited their work in the landscape French designed himself. As I strolled through the woods, stopping at each marked location, I noted the imaginative concepts tying (sometimes literally) sculpture to nature and the wide range of materials used including copper Lincoln pennies (a nod to French’s Abraham Lincoln for the Lincoln Memorial in Washington, D.C.).

    It was, however, this composition captured on my iPhone of growing and decaying tree trunks, sunlight and shadow, abstract and figurative forms— balanced in nature—that might have been listed “#25 on the walking map.”

    Chesterwood: Balance in Nature, Archival pigment print




  •     2015



  • September 22 to October 16

    Going Places

    PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753

    Selected for gallery display: Una Gita in Kayak, Costiera Amalfitana

    Juror’s Statement:

    When asked to jury “Going Places,” it was an exciting thought to see how photographers feel, express, and share the experience of places they may encounter during their journeys. The results were powerful images. Personal expressions. Originating from a voice within which compels them to make an image capturing a split second in time. Sense of place. The challenge for the photographer to fully engage in the moment. Tell a story. Compose an image within the boundaries of the frame. Draw the line straight from their subject to their heart. Not always an easy personal assignment.

    My goal as a photographer when I am “Going Places” is to create within the two-dimensional plane, called the print, three dimensions. Time, place, and story. Enticing the viewer of the image to become a participant within the frame. Visually and emotionally sharing the experience. The submissions in “Going Places” achieved these goals. The photographs created strong emotional and visual statements sharing time, place, and story. Well done, photographers! It was an honor to experience your “Going Places.” I enjoyed the ride.

    Be strong, be safe.
    Carlan Tapp



  • August 25 to September 18

    Black and White

    PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753

    Selected for online annex:  Bird Mask 2

    Juror’s Statement:

    It is often said that a good photograph leaves us with more questions than answers, but I think a good photograph also makes a statement, defines a relationship, exposes an emotion or is a stunning study in design. The jurying process for this exhibit began with no preconceived idea about the exhibit I would put together. Examination of the photographs came first from the foundation of qualities I believe a good photograph must have:

    1. The use of light must work with the subject matter. The light must compliment the subject not work against it.
    2. Has the vantage point been considered? What information does it provide us? Is the subject enhanced, diminished or equalized by the vantage point?
    3. How carefully are the edges of the frame used? Did the photographer pay close attention to all four edges, making a conscious decision about what to include and what to exclude?
    4. What is this single image doing – asking a question, making a statement, defining a relationship, evoking an emotion and/or stunning us with beauty of design?
    When entering images for a juried exhibit there is one very important thing to keep in mind: The jurying process is a process of selection, not one of rejection. As the juror I looked for images that spoke to me, that echoed my biases, challenged my preconceptions, and/or made me say, “Wow, I wish that was my image”. I was a tougher judge of work that was most like my own and fascinated by work that was completely different. I looked for distinctive voices and visions. I looked for images asking questions as well as those making declarative statements. I looked for images using the full tonal range as well as those using only a small, distinct slice of the black and white spectrum. From the digital files I was looking at I couldn’t discern technique so no bias crept in regarding camera format or print making choices. I simply looked at the individual images in light of the above-mentioned parameters.
    My selections were images that spoke to me in a particular way at a particular point in time. Those that were not selected were not rejected. They simply were not selected. On another day, with another juror, they may have been selected. The most important point is that you entered your work. You took the time to edit and select what you felt was your best black and white work. You put this work in front of someone who loves black and white work and values the your effort in making the image and preparing it for review.
    This is where your real growth takes place, having the courage to put your work in front of others to see. This brings out the best in your work. I encourage everyone, those who had an image selected and those who did not, to continue making new work and putting it in front of others to see.
    Thank you for the opportunity to jury this exhibit. The quality of the work submitted was such that I could have put at least 5 shows of 75 images together, each completely different than any other. I hope that you will agree that the breadth as well as depth of this exhibit demonstrates what black and white photography can be at its best.

    Tillman Crane


  • September 2 to September 30

    iPhone 9 Group Show

    9 iPhonographers 9 Perspectives

    Snow Library, 67 Main Street, Orleans, MA

    OPENING Saturday, September 12, 1-3PM


  • July 9 to August 30

    21st Annual Juried Show: Peter Urban Legacy Exhibition

    Griffin Museum of Photography

    Opening Reception: July 9th, 7PM, Gallery talk, 5PM

    JUROR: Jim Casper

    Jim started LensCulture in 2004 to explore the diverse ways photography is used in the arts, media and daily life in cultures around the world. Since then, LensCulture has grown to be regarded as a highly valuable, engaging and inspiring resource for photographers, students and art lovers. In 2010, Jim teamed up with international partners to launch the annual LensCulture FotoFest Paris portfolio reviews, which bring together participants from over 45 countries each November. Prior to Lens Culture, Jim served as founder and president of Casper Design Group for 20 years, an international branding and corporate communications design firm based in Berkeley, CA. He currently lives in Paris.

    Vista da Praiano



  • April 4 to May 4

    Figuratively Speaking: An Exploration of the Human Form

    Juried Exhibit, Cotuit Center for the Arts

    Opening April 4, 5-7 PM, artist talk 5 PM

    The first juried exhibit of 2015 to be curated by Cotuit Center for the Arts is dedicated to exploration of the human figure. The exhibit is open to two and three-dimensional figurative artists (artwork referencing the human figure), working in any medium. Click on BLOG for explanation of my process.

    Ciao Madonna!



  • February 23

    The Camera in Your Pocket

    Mobile Photography on Cape Cod

    MARCH 2015 Cape Cod Magazine

    Michael and Suz Karchmer's article is an 8-page spread about iPhoneography offering tips on making a good image with your mobile device and showcasing work by the iPhone study group "iPhone 9."


  • January 21

    Digital Photo Transfer Demonstration

    Concord ART Association, 37 Lexington Road, Concord, MA 01742

    Digital Photo Transfer Demo with artist Barbara Ford Doyle

    10:30AM - 12:30PM

    Tel (978) 369-2578

    This workshop will enable participants to see how photographic transfers can be applied to various substrates. Barbara will discuss the use of a computer, Adobe Photoshop, and inkjet printers for printing on specially coated DASS™ film. Barbara will offer suggestions for finishing and presenting work and prepare a list of resources. 



  • January 10 to February 21

    Opposites Attract

    Homage to Henry Fox Talbot: Diptych

    The Arts Foundation of Cape Cod, together with the Cotuit Center for the Arts, announces the eighth year of their collaborative winter exhibit January / February 2015. The exhibit is titled Opposites Attract, featuring artists’ interpretation of “opposites attract” – literally and figuratively.

    In the realm of photography, William Henry Fox Talbot (1800-1887) is my hero. When I began studying photography—in the days of film—I made a pilgrimage to Lacock Abby in Wiltshire England to visit the Fox Talbot museum. Judging by the number of vials and jars, I didn’t doubt that he “carried out a series of experiments often leading to explosions.” Fox Talbot’s “photographic drawings” were paper negatives from which multiple positive images could be made—the basis for almost all 19th and 20th century photography.  A fern leaf was often used as subject matter.

     A simple adjustment click to “invert” in Adobe Photoshop will make light areas appear dark and dark areas appear light. I like the diptych format for this presentation. Viewers study the ferns across a center line to decipher what is positive and what is negative. By washing off some of the transfer ink, there is additional ambiguity. I carried out my series of experiments without toxic chemicals—and without explosions.

    See screen shots on my BLOG page.


  •     2014

  • November 21 to January 18

    Members’ Juried: PAAM100 Centennial Celebration

    Provincetown Art Association and Museum

    Opening Reception: Friday, Dec 5, 6PM

    A sincere THANK YOU to everyone who submitted to the Members' Juried PAAM100 exhibition! We received over 200 submissions, and our juror narrowed it down to 61 pieces.

    Cemetery Road: washed photo transfer on limestone paper.

    Craig Bloodgood is the contemporary curator at the Art Complex Museum in Duxbury, Massachusetts. In the past 15 years he has worked on, created, designed or installed more than 130 exhibitions in three gallery spaces. As an artist he has shown his work in solo exhibitions at both the Fuller Craft Museum in Brockton, Massachusetts and the Newport Art Museum in Newport, Rhode Island. His work has appeared in the Boston Globe, Woodshop News and American Craft Magazine. He is a past recipient of the A.R.T (Artist Resource Trust) grant and a member of the Duxbury Cultural Council.

    Click here to view gallery: https://www.paam.org/exhibitions/?exhibitions=current


  • November 6 to January 4

    Printmakers of Cape Cod Juried Members Show, Juror Daniel Embree

    November 6 - January 4, 2015, Reception: 11-13, 5:30-7PM

    The Printmakers of Cape Cod was organized in 1976 by Marcia Howe, a printmaker living in Orleans, to encourage, assist and promote printmaking artists on Cape Cod as well as to provide educational opportunities for new printmakers, collectors and others interested in original prints.

    Artists included in this exhibition: Jane Fay Baker, Joan W. Caefer, Evan Charney, Polly Cote, Christianne Courcelle, Mary Doering, Barbara Ford Doyle, Lisbeth Firmin, Alice Nicholson Galick, Mary Goodwin, Ann Guiliani, Mary Ince, Leslie Kramer, Jane Lincoln, Pat McNab, Andrea Moore, Jerre Moriarity, Carol Odell, Rowena Perkins, Liz Perry, Sarah David Ringler, Cecilia Rossey, Robert Scott, Stephanie Walenski, Joyce Zavorskas

    Gallery talks: Nov. 20, 2PM, Barbara Ford Doyle, Jane Lincoln, Joyce Zavorskas / Dec. 11, 2PM, Sara Ringler, Liz Perry, Alice Galick

    Image: Juror's Award, Andrea Moore, "Summer Pond"



  • November 6

    Graphic Impressions

    ArtSynergies: Alternative Printmakers on Cape Cod, by Barbara Ford Doyle

    Graphic Impressions is the newsletter for Southern Graphic Council International. Published three times a year as a PDF and distributed to the membership, the newsletter includes information about the yearly conference as well as articles, reviews of shows, books and events pertinent to the printmaking community. Click on this link to read article: http://sgcinternational.org/newsletter/hot-off-the-press/



  • September 30

    Demo/Talk Higgins Gallery

    Printmaking: Alternative Processes

    Demo/talk last winter at the Griffin Museum of Photography in the main gallery surrounded by David Prifti's wet plate collodion work. Tomorrow at 11 in the Higgins Gallery, I'll be talking about digital photo transfers—a process suited for educators because it pretty much eliminates the use of toxic chemicals. Check out work from the current exhibition "Printmaking: Alternative Processes."
    http://www.capecod.edu/galleries/higgins/index.html
    If you are interested in a hands-on workshop October 11, contact Rebecca Sher for details: rebeccasher.com




  • October 11

    Art Workshop II

    Digital Photo Transfer with artist, Barbara Ford Doyle

    This artist’s talk/demonstration will enable participants a unique opportunity to see how photographic transfers can be applied to various substrates. This workshop is perfect for beginners curious about alternative photographic processes and for returning participants to have more hands-on time making transfers on their own substrates. Registrants can email two digital photos to Barbara (specs will be given after registration) and she will print them on special DASS film. Participants will have an opportunity to create small transfers on mulberry and limestone paper.

    This image by a student is a "happy accident." Check out my Blog to see what went wrong...or right!

    Saturday, October 11th, 9:30am – 12pm

    $65 per session. Fee includes supplies.  Space is limited. Pre-registration and pre-payment required. Please confirm your reservation by calling (617) 721-1202 or emailing rsher@28andbankstudio.com

    28&Bank Studio, 586 Route 28 in Harwich Port on Cape Cod



  • September 30

    Digital Photo Transfer Demonstration

    Higgins Art Gallery, 11:30AM-1:30PM

    Description:

    Barbara Ford Doyle will discuss the use of a computer, Adobe Photoshop, and inkjet printers for printing on specially coated DASS™ film. She will demo transfers to mulberry paper, limestone "paper" and have examples of images on metal and transfers coated with encaustic, with remarks about unwanted variables!  Barbara will offer suggestions for finishing and presenting work and prepare a list of resources.



  • September 8 to October 8

    Printmaking Invitational: Alternative Processes

    Higgins Gallery, Cape Cod Community College

    This exhibit features eleven professional artists from Cape Cod, including seven members of ArtSynergies, and three members from the arts faculty at CCCC, Sara Ringler, PJ Mckey, and Vicky Tomayko.

    I have five prints in the exhibit: Winter Beach #1 is a double washed photo transfer on limestone paper. 

    Reception/Meet the Artists: Tuesday, September 23, noon-1:30PM / Thursday, October 2, 5:30-7:30PM.


  • August 30 to November 2

    Packet Galleries 2014 INVITATIONAL

    Opening Reception: Saturday, August 30, 5-7PM

    Stan Godwin has been my photographic mentor for several years. If you know Stan, he tells it as it is. I value his judgment—even if the truth sometimes hurts! I'm pleased to be part of the Packet Galleries 2014 INVITATIONAL.

    My two images are from a series: Le Biciclette di Lucca and are photo transfers to handmade paper. They are intended to look like frescoes.


  • August 30

    Art Workshops

    Digital Photo Transfer with artist, Barbara Ford Doyle

    This artist’s talk/demonstration will enable participants a unique opportunity to see how photographic transfers can be applied to various substrates. This workshop is perfect for beginners curious about alternative photographic processes. Registrants can email a digital photo or image to Barbara (specs will be given after registration) and she will print this on special film. Participants will have an opportunity to create a small transfer with their image on mulberry paper and limestone paper. 

    Saturday, August 30th, 9:30am – 12pm

    $65 per session. Fee includes supplies.  Space is limited. Pre-registration and pre-payment required. Please confirm your reservation by calling (617) 721-1202 or emailing sherphoto@comcast.net

    Designed for adults but children, 12 and over are welcome with an accompanying adult.


    28&Bank Studio, 586 Route 28 in Harwich Port on Cape Cod


  • August 7 to August 10

    Tanglewood Wine & Food Classic

    Peaches and Penumbras

    The Tanglewood Wine & Food Classic features wines from around the world, East Coast chefs, and locally sourced foods, enjoyed in an incomparable setting on the Tanglewood grounds. Ten of my photo transfers from Peaches and Penumbras will be displayed during the event. 

    To read more about Luminaries, click on: http://www.bso.org/brands/tanglewood/tickets-events/tanglewood-wine-and-food-classic/luminaries.aspx